Artist’s Statement
This project, The N-Word Pass™, explores the unsettling intersection of race, identity, and commodification within contemporary society. Inspired deeply by sociologist Zygmunt Bauman’s concept of “liquid modernity,” the work reflects a world in which traditional structures, identities, and societal norms have dissolved into fluid consumer choices.
In our present cultural moment, identity is no longer simply inherited or immutable. Rather, it’s now frequently treated as something to be purchased, subscribed to, or discarded at will. Race and culture, historically sacred and deeply personal aspects of identity, have increasingly become interchangeable commodities, traded with the casual ease of luxury fashion items or trendy sneakers. The N-Word Pass™ pushes this notion to its logical, albeit provocative, extreme.
Consider this: is selling explicit permission to use the N-word fundamentally different from marketing hip-hop dance classes in suburban gyms or promoting luxury “urban streetwear” to affluent consumers who’ve never visited the communities from which those styles emerged? In essence, both activities commodify Black culture. Our approach merely strips away pretense, pushing cultural commodification to its raw and honest conclusion.
Deliberately positioned within our spectacle-driven society, The N-Word Pass™ is crafted not merely as a consumer product but as a calculated cultural provocation: a work of performative satire. It seeks to spark discomfort, dialogue, and introspection, directly confronting how racial identity, privilege, and cultural appropriation intersect within capitalist systems.
By packaging, trademarking, and monetizing a symbolic “permission slip” for an otherwise impermissible act, this project directly interrogates assumptions about cultural ownership and authority. Who truly controls cultural boundaries? Do Black communities retain meaningful control over how their cultural expressions are consumed – or has the market already stripped away their agency?
Further, the project uses the intentionally oblivious, earnest persona of “B. White,” our smiling spokesmodel, as a direct commentary on the historical exploitation of Black bodies and identities in consumer marketing, from Aunt Jemima to Uncle Ben. Through this satirical framing, we ask viewers to reflect critically upon the persistence of racial commodification under capitalism, even when packaged as harmless, friendly, or humorous.
Ultimately, The N-Word Pass™ serves as an artistic challenge: an uncomfortable mirror held up to society, forcing viewers to consider their own complicity in systems that continuously turn culture into commodity, identity into spectacle, and history into product.